1. Acknowledgments
  2. Introduction
  3. The current state of research and nomenclature issues
  4. Artefact overview
  5. Construction
  6. Animated sculptures of the crucified Christ during Holy Week
  7. How animated sculptures of the crucified Christ functioned outside Holy Week
  8. The persistence of medieval customs – from early modern times to the present day
  9. Conclusion
  10. Catalogue of medieval animated sculptures of the crucified Christ
  11. Bibliography

Acknowledgments


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